The most famous example of this cultural cross-pollination is Sinichiro Watanabe’s “Samurai Champloo” (2004), an outrageous comedy-adventure that features Tokugawa-era rappers, ink-brush tagging, Hiroshima homeboys and swordfights using break-dance moves.
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“Afro Samurai” is not the first Japanese animated series to fuse hip-hop and samurai culture. They both battle for supremacy through the strength of their skills.” They both represent where they come from. Ian Condry, an assistant professor of Japanese cultural studies at MIT and the author of “Hip-Hop Japan,” said, “It’s not surprising that rappers and samurai go together. 1 samurai swinging his sword is really in keeping with the philosophy the members of Wu-Tang talked about in our lyrics.” “So Afro Samurai’s focus on being the No. “When I started Wu-Tang Clan, we used that name because it was the best sword style known: The idea was that we were a sword family,” RZA continued. I feel like I’m Afro Samurai - as a producer and rapper. 1 kid in the neighborhood is very important. “I feel my saga is similar to his: For an artist in the hip-hop world, the idea of being the No. “When the producers asked me if I wanted to be involved in continuing the ‘Afro’ saga, I said, ‘Definitely,’ ” he said in a telephone interview. RZA, a founder of the seminal group Wu-Tang Clan and composer of the scores for “Resurrection” and the earlier “Afro Samurai” series, described himself as exemplifying both cultures. “Afro Samurai” also embodies the trend among Japanese fans of comparing hip-hop artists to samurai warriors, an image some rappers claim for themselves.
Fuminori Kizaki directed the film, which was created for an American market, with Hollywood stars Jackson, Lucy Liu and Mark Hamill providing the voices. It’s based on a manga by Takashi Okazaki and was animated at the Gonzo studio in Japan, where the anime hits “Samurai 7,” “Full Metal Panic!” and “Gurren Lagann” were produced. “Afro Samurai” exemplifies the increasing confluence of American and Japanese pop cultures. Jackson) fights his way through a weird, post-apocalyptic world. Taciturn and deadly, Afro (voiced by Samuel L.
“Afro Samurai: Resurrection,” which comes out on DVD Tuesday, amps up the adventures of the black warrior who burst onto the animation scene in 2007. Having reduced his assailants to human sashimi, he walks on, accompanied on the soundtrack by low-pitched rap lyrics. A long sword flashes as the dark-skinned samurai silently hacks through his enemies’ limbs and skulls. Der erste Soundtrack hatte sicher ein paar bessere Einzeltracks zu bieten, dieser Nachfolgesoundtrack dafür weniger "Leerlauf".Trotzdem war das erste Album insgesamt spannender.Assassins attempt to ambush a tall figure with a towering mop of black hair: They covet his ancient headband that identifies the wearer as the No. abwechslungsreich ist das Album durchaus, was natürlich auch an den vielen verschiedenen männlichen und weiblichen guest vocals liegt. Schön finde ich, dass man deshalb durchaus auch mal Gitarren hört, was eher selten in diesem Bereich ist. Auf den 17 Tracks mit einer Laufzeit von 60:11 Minuten versammelt er so viele Gaststars aus der HipHop-Szene dass ich mir eine Aufzählung hier spare. Allerdings gibt es auch oft Szenen aus dem Film als Einleitung zu hören. Er schrieb an allen Stücken mit, erledigte alle "programmings" und produzierte die Scheibe für Wu Tang Productions, sortierte Instrumentaltracks jedoch aus und legte nur noch eine reine Rapscheibe vor. Er änderte das Konzept jedoch ziemlich im Vergleich zum Vorgänger. 2009 legte das Studio dann den Kinofilm "Afro Samurai Resurrection" nach und wieder steuerte RZA die Musik dazu bei. Als 2007 die fünfteilige Anime-TV-Serie "Afro Samurai" auf den Markt kam steuerte RZA den Soundtrack bei, der ein paar Rapsongs mit Gaststars, aber auch viele instrumentale Soundcollagen enthielt, die relativ synthesizerlastig waren, aber schon in Richtung "Score" gingen.
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